#Hairspray 2007 soundtrack music review movie
#Hairspray 2007 soundtrack music review skin
#Hairspray 2007 soundtrack music review tv

#Hairspray 2007 soundtrack music review skin

Integrating 'The Corny Collins Show' would have been symbolically equal to a water fountain, a seat on a bus or anything else that seems like a trifling concern until someone tells you its not available to you because of your skin color. The end of Jim Crow laws was, after all, a death by a thousand cuts, as nonviolent protesters contested de jure segregation in every specific instance they encountered it.

#Hairspray 2007 soundtrack music review tv

In the world of 'Hairspray,' this is not a trivial matter, and what the original film, the musical and the new film all do well is making the integration of a TV dance show an issue of paramount importance. The black teens who dance on 'Negro Day' are happy to be there, but they're disappointed that they get their shot so infrequently. The show is exclusively white with the exception of a 'Negro Day' held once a month. 1 afternoon teen-dance show, but she finds it hard to fit in despite her naturally gifted footwork. In the 1988 John Waters film (not a musical, but the basis for the 2002 Broadway musical from which the new film is adapted), the zaftig Tracy longs to be featured on 'The Corny Collins Show,' Baltimore's No. In fact, the only thing threatening to ruin all the fun is the pesky civil-rights movement, which, inconveniently, happens to be taking place around the same time. A game John Travolta dons a massive fat suit to play repressed Baltimore laundress Edna Turnblad, who's overprotective of her dance-feverish daughter, Tracy (effervescent newcomer Nikki Blonsky.) Yeah, there's fun all over the place.

#Hairspray 2007 soundtrack music review movie

In unpacking all three from that moving van while still infusing the song with wit and sass, composers Marc Shaiman and Scott Wittman create the illusion of effortlessness, thus rendering their hard work practically invisible.If you plan on reading any reviews of 'Hairspray,' the new movie musical that opens today, prepare to be soaked by the word 'fun.' And it's a perfectly apt description: 'Hairspray' is an energetic, crowd-pleasing musical set in the swinging '60s, so it's replete with bouffants, sherbet-colored culottes and the dangerous, auspicious 'race music' of the era. Starting out as a rip-her-to-shreds song, it shifts to I'll-cry-if-I-want-to mode before veering at the last moment into an automotive fatality. The movie-musical brightness of the production notwithstanding, it's a credible throwback that combines multiple strains of girl-group pop. As an added bonus, it even hits on another underlying theme of the movie, which is the way that the white kids co-opt the music and dancing of the black kids.Д«ut in a way, none of that really matters, since 'The New Girl In Town' stands on its own as a nearly pitch-perfect example of the type of music it's supposed to be.

Performed, within the world of Hairspray, by Amber Von Tussle (Brittany Snow) as her bid for teen-pop stardom on the Corny Collins Show, it does what any good song from a musical should do: It reflects the singer's perspective on the plot at that moment. 'The New Girl In Town' is the type of song that doesn't usually win Academy Awards, or even get nominated, but maybe it should be. Brittany Snow performs a credible throwback that combines multiple strains of girl-group pop.Д®van Agostini, Getty Images Entertainment